Power Thrives on Rigid Labels. Democracy Thrives on Values.
Politics

How an amoral metaphysics enables social power to influence shared cultural dialogue in an untold number of ways. Thankfully there's a solution.

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Power Thrives on Rigid Labels. Democracy Thrives on Values. (Audio)
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One of the central failures of Bernie Sanders and much of the modern American left is a persistent failure to clearly distinguish socialism from democratic socialism, and more broadly, a failure to appreciate what kind of power each actually entails. When asked about the socialist label, Bernie has been all too proud to speak of how great that term is while seeking economic justice and that Americans were wrong to think otherwise.

Following much of Bernie’s lead the “socialist” label is often worn casually, even proudly, among American leftists since Bernie's rise. What goes largely unexamined though - is what that label quietly smuggles in: not care, not fairness, but an acceptance of social-level power concentrating under the cover of higher intellectual or moral authority. Cries that capitalism’s immorality can only be solved through socialism or communism are common, but they miss the deeper problem entirely.

The issue isn’t capitalism as such - it’s what values control culture, and who and what gets to enforce them.

Under socialism or communism, elites don’t disappear; they simply rule in a different way. Power concentrates in the hands of those who claim superior knowledge, superior theory, or superior moral insight. Control is exercised not openly as social power, but indirectly through intellectual authority - through “reason”, “expertise”, and claims of technocratic inevitability. Exploitation doesn’t vanish; it’s concealed and justified as rational, unavoidable, or morally required in the name of the greater good.

Democratic socialism, by contrast, at least aims to keep power with the people rather than surrendering it to a self-authorising intellectual class. An informed public, representing intellectual and Dynamic morality, can curtail social-level power rather than merely replacing one elite with another.

Of course, democratic socialism is not without risks. Corruption of elected officials, institutional inertia, and complacency are all real dangers.

Capitalism, meanwhile, plays a more nuanced role than it’s usually given credit for by these socialist types. Its financial incentives often provide genuine responsiveness to Dynamic Quality - to change, innovation, and adaptation - in ways centrally organised systems frequently struggle to match. That responsiveness matters, and when it works well it can surface new value quickly.

But capitalism also carries a serious moral flaw of its own. It has a tendency to quietly smuggle social-level power in under the banner of Dynamic success. Wealth accumulation, market dominance, and scale are too easily mistaken for proof of superior value, when in reality they often reflect the consolidation of power rather than the emergence of better ideas or practices. Left unchecked, capitalism doesn’t just respond to Dynamic Quality - it converts social power into permanence, allowing those who win early or win big to shape the rules in their favour. Capitalism alone, then, is no more virtuous than socialism alone. Both become immoral when they’re absolutised.

Calls for pure capitalism or pure socialism are therefore deeply flawed, not because each lacks moral intention, but because both allow social-level power to masquerade as something higher. Socialism tends to justify power through claims of intellectual or moral certainty. Capitalism tends to justify it through claims of market success and efficiency. In both cases, social-level power sneaks in beneath a higher moral code and then shields itself from challenge.

A functioning democracy is different. It is not a moral system run by the socially powerful. Its value lies in its ability to respond to Dynamic Morality. Democracy matters not only because it allows a minority to become a majority, but also because its function is to prevent a socially powerful minority from imposing its will on the majority. When functioning correctly, it keeps social-level power unstable, accountable, and open to correction.


From an MOQ perspective, democracy’s moral strength is precisely this openness. It does not freeze value at the social or intellectual level. Instead, it creates the conditions under which better ideas, better arrangements, and better values can emerge over time. When democracy fails, it is usually because this Dynamic function has been undermined, not because democracy itself was the problem.

This is also why the endless framing of politics as a simple battle between “left” and “right” has become so unproductive. These labels increasingly obscure more than they reveal. They collapse complex moral questions into tribal identities and encourage people to defend camps rather than examine values. Democracy is not about choosing between rigid ideological extremes - socialist, capitalist, fascist, or otherwise - but about maintaining a culture capable of evaluating and revising its values over time.

When politics is reduced to label warfare, attention shifts away from whether ideas improve lives and toward whether they signal loyalty to a side. This replaces Dynamic intellectual moral inquiry with static ideological allegiance. The result is not democratic vitality but cultural stagnation, where extremes feed off one another and genuine moral progress is crowded out by symbolic conflict.

This left–right framing is also highly useful to social-level power. By organising politics around opposing identities rather than shared values, power becomes harder to see and easier to excuse. Decisions that shape culture and material life can be blamed on “the other side” instead of traced back to concentrated influence operating above those divisions. This redirects conflict horizontally between groups, preventing it from turning vertically toward the social power that actually shapes culture and undermines democracy’s intellectual and Dynamic function.

Take deindustrialisation and deregulation, for example. These policies, most responsible for hollowing out the American middle class, were not the product of a single party or a sudden moral failing among voters. They were the result of decades of elite-driven neoliberal policy embraced across the political spectrum and justified through an amoral metaphysics that presented this economic framework as objective, inevitable, and beyond democratic challenge. Communities were dismantled, jobs shipped overseas, and social bonds eroded in the name of efficiency and growth as defined by those already in positions of power.

Parties on both sides whilst all this was happening were disagreeing for sure. But not coincidentally only one set of values found its expression - that of the socially powerful.

This is precisely what the Metaphysics of Quality makes visible: morality is not found in rigid idealistic systems, but in how well cultures remain open to Quality and un-corrupted by the socially powerful over time.

The real failure of the American left generally, then, has been its growing comfort with elitist attitudes and its failure to clearly distance itself from them in the public consciousness. This failure has led to the increasingly accurate equation of “leftist” with “elitist” in the minds of many working-class voters. It wasn’t simply that the working class “turned right”; it was that they were abandoned, dismissed, or spoken down to by people who claimed moral authority while neglecting material and social realities.

This attack on “elitist leftists” by the American right still hasn’t ended. And it continues to land because the underlying attitudes that provoked it - moral policing, condescension, and a refusal to listen - have not meaningfully changed.

This persistence is due to a continued blind spot across much of the American left itself: a failure to recognise how social-level power continues to shape not only the culture at large, but their own understanding of it. Through the lens of the Metaphysics of Quality, this is a familiar mistake - confusing social status and intellectual confidence with intellectual morality, and mistaking certainty for clarity.

Rather than listening to or materially helping people who had been economically and culturally hollowed out, the left has increasingly defaulted to scolding. A set of ‘woke’ attitudes emerged that functioned less as expressions of care and more as mechanisms of social control. Language, posture, and symbolic purity became the focus, while material conditions were sidelined.

Scolding is the primary way power relates to the people. This is not how healthy cultures are built. It is how elites manage populations they do not want to understand or meaningfully engage with.

To top it all off - technology hasn’t helped either. Rather than just opening culture up to better ideas, it has overwhelmingly rewarded outrage, straw-man over-simplification, and tribal loyalty. Modern American political influencers on both sides feed off rapid news cycles and algorithmic incentives that encourage blind allegiance to one social-level side. This technology-driven dialogue replaces open intellectual inquiry with social-level allegiance. Disagreement is treated as betrayal rather than an opportunity for improvement.

The result of all this is a culture increasingly convinced that it is deeply and irreparably divided. But this framing is profoundly misleading. What appears as division is more accurately a population that has been fragmented by narratives shaped by social-level power. Narratives that benefit from distrust, resentment, and perpetual conflict.


The rise of the authoritarian modern right did not emerge from nowhere then, nor was it simply the product of ignorance or manipulation. It arose from the material and cultural vacuum left behind when bi-partisan policies stripped people of stability, dignity, and meaningful work. And politicians did so while keeping folks divided and that these economic circumstances were merely the neutral operation of the economy and not something in their control or up for discussion.

When the damage became impossible to ignore, the response from the socially powerful on both sides was not listening or reform, but further moral chastisement. Blaming the poor for their own failures. Structural harm was reframed as personal or cultural failure, allowing elites to avoid responsibility for the conditions they had helped create.

From an MOQ perspective, this is exactly what happens when social-level power hides behind an amoral intellectual framework. The degradation of culture toward reactionary social quality is rebranded as inevitable, and the resulting anger is pathologised rather than understood.

What followed was not a mysterious turn toward reaction, but a predictable response to a culture quietly hollowed out in the name of social-level power, all in plain sight.


The popularity of One Battle After Another among American left audiences is a telling example of this intellectually blind attitude of elites. It's structured around opposition rather than discovery. Its narrative defines characters and meaning through fixed camps, where the enemy is already known and resistance is the only remaining task. Because the story depends on maintaining this clarity, it never turns its attention to the deeper forces that produced the conflict in the first place. Power remains offstage, while identity and opposition take centre stage.

This makes the film counterproductive to what it most needs to do. At the moment the culture requires a renewed focus on shared values and the structures shaping division, the film reinforces a left-versus-right framing that stabilises social-level identities instead of opening space for intellectual or Dynamic inquiry. Division is not a result of the story. It is a requirement of its narrative logic.

Don’t Look Up - the other popular political film from recent times - for all its strengths, suffers from a different but related limitation. It builds its narrative around the gap between those who know the truth and a public that refuses to act. The tension of the story comes from apathy, distraction, and denial in the face of overwhelming evidence. Catastrophe is framed as the result of cultural un-seriousness rather than structural design.

What the narrative largely leaves unexplored is how that apathy was produced. Media, incentives, and elite interests appear as absurdities rather than as forms of social-level power shaping behaviour at scale. The story stops at intellectual failure without tracing the suppression of intellectual and Dynamic Quality that made such failure predictable. The result is a satire that directs frustration toward the public, rather than toward the forces that benefit from confusion and inaction.

Because despite everything, people still do share remarkably similar underlying values: meaningful work, security, distrust of elites, and a genuine voice in shaping their future. What is fractured: is not the culture itself, but the language and metaphysics people are given to understand it.

Until that manipulation by the socially powerful is named explicitly, carefully, and without contempt, the same mistakes will continue to be made and the unproductive divisions will persist. Reminding folks of the social powers control doesn't solve the problem by itself. But what it does do is restore the culture’s ability to redirect conflict away from symbolic enemies and back toward the values and concentrations of power that can actually be corrected and change things for the better.

And this right here is one of the many strengths of the Metaphysics of Quality. It provides common folks a language and framework that is both logical and morally sound. It keeps evolutionary conflicts of morality at the front of mind whilst they evaluate elite suggestions. And the key here is that with this better metaphysics they can uniquely do so in the intellectual language of the elites. Thus uniquely enabling common folks to perform their vital role in ensuring both Dynamic and intellectual morality are served. And that’s a very powerful thing indeed!


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The Cage of an Amoral Metaphysics Over Art.
Film

We have gone through a trend, lasting at least the last 20 years in cinema, of something referred to as "Heightened Realism". A preference for shots which look slightly dull, yet somewhat overexposed. The technique is often to take the natural light already existing in a shot and subtly increase it. A dull effect is not what one might expect from increasing light in a scene- yet because only the existing light is being raised, it ends up muting the subtlety of the colors that sit quietly in the frame.

The result is a feeling as though we are right there in the shot with the subject - yet entirely as passive observers. Or perhaps more precisely, we’re overlooking the scene in a cold, scientific, god-like manner. The sterility of the effect, and how it separates the audience from the emotional life of the scene, is perhaps the aspect of it which is most overwhelming.

It’s a cinematographic style that appears dull on the surface. It uses “natural” lighting, a certain graininess, and avoids any sense of creative risk in color grading or light design. It resists stylization in favor of something that pretends to be close to reality but is, in fact, just another aesthetic decision.

Christopher Nolan is perhaps the most famous for this style. And the “scientific observer” quality of his work goes beyond just the visuals. It extends to the sound - audiences have often complained they can’t hear actors speak their lines clearly, just as a distant observer might struggle to pick up speech from far away. The music, too, often follows the same formula: naturalistic, but pushed, exaggerated, heavy.

The key to note perhaps though is that this Heightened Realism is anything but real and is just another style. Beautiful yes, but just another style choice like every other.

To those of us who appreciate a better metaphysics though; the parallels between this kind of thinking and an amoral metaphysics - which denies any sort of human emotion or moral judgement - is obvious. We live in a scientific age, and one creatively trapped by the metaphysics that underpins it. A time where even audiences appear to prefer this kind of aesthetic. A time where science and the apparent necessity of its amoral metaphysics rule the day.

Perhaps this kind of judgement-free thinking is why superhero films have, until recently, dominated the box office. These are stories that allow the breaking of scientific laws - but only by very specific characters. Superheroes are entirely external to us, and even their powers must follow very specific rules for how they break the natural order. They are fanciful, yes - but absolutely everything else around them must remain grounded. Heaven forbid we cast judgement or break free from the self-imposed cage we’ve built.

What’s missed in this way of thinking though - is the simple fact that we exist - and our existence is value. There is nothing but value. Value judgements are just as real, if not more real, than the objects we observe. Even scientific rules begin to fall apart at the subatomic level, but yet we cling to this aesthetic of scientific realism, almost entirely driven by the material success it has brought us.

This cage of scientific-style art is one entirely of our own making. But the good news is—we can break out of it at any time. And we're starting to see the cracks.

Most directly, we can see it in the rise of anime among Gen Z. Anime deliberately shuns realism in favor of something entirely different. But another great example is the underrated yet great and brilliant film Speed Racer.

Dismissed by critics at the time of its release - some even called it “pop fascism” - Speed Racer embraces almost everything that runs counter to the Heightened Realism trend. Except maybe the Heightened part. "Heightened Un-realism" it could almost be called. Indeed Speed Racer is full of heightened color, heightened light, heightened playfulness, heightened emotion and it continually breaks the laws of science to the point where those laws are constantly bent always in service of the story itself. The result is just a great masterpiece of film - one co-incidentally also based on an anime. So now, nearly 20 years later, people are beginning to change their minds on this box office failure. Some are even calling it the most important film of the 21st Century.


But it's not all roses and perhaps this is why I'm writing this post.

Because the latest forthcoming Christopher Nolan film - The Odyssey - might perhaps be the most egregious usage of his Heightened Realism style yet. A film that will bring Nolan’s scientific realism to the Ancient Greeks - a culture that predates our current metaphysics entirely. The juxtaposition between our modern, emotionally detached aesthetic and how things actually were is likely going to be at an all-time high.

Except it won't just be a juxtaposition but a "heightened juxtaposition" if you will..

Nolan, famous for his realistic portrayal of the appearance of a black hole in the film Interstellar, is entirely shunning the experts on what the Ancient Greeks actually looked like or what they wore. Instead he will be pairing his Heightened Realism filmmaking style with entirely fanciful and false portrayals of their armor and dress.

Where modern portrayals often reduce the Ancient Greeks to something stoic, monotone, dominant, and hyper-masculine, they were, in fact, the opposite. They celebrated color and beauty in their clothing. They were emotionally complex, playful, poetic, and deeply involved in democratic dialogue - far from the dominance they are usually associated with today.

A dominance which, perhaps not coincidentally, is plainly visible when animals are observed scientifically. Indeed it is the same value-blind perspective that distorts both our understanding of our uniquely human behavior and the deep and rich fabric of Ancient Greek culture. Our current amoral metaphysics then doesn’t just undermine modern art—it also sustains and enables our misunderstanding of the Ancient Greeks themselves.

Regardless of that exacerbation though; with Nolan's portrayal there is the high likelihood that those who aren't familiar with the Ancient Greeks will be even further led to misunderstand them. The important difference between modern portrayals and how they actually were will be further undermined. While Nolan brings his 'realistic style' of cinema to them, the portrayal of the Ancient Greeks he's looking to show on screen will be anything but realistic.


Which brings us full circle - back to our current metaphysics. It masquerades as the “most real” way of seeing the world, insisting on a detached observer model that excludes value, judgment, and feeling. But in truth, experience itself is soaked in all of those things. Real experience is not neutral. It never was.

As always there’s a better way. The Metaphysics of Quality shows us that. And thankfully, we are starting to move - back toward art that affirms life and its rich tapestry of values and emotions, not merely observes it. And that's a Good thing.

TOPICS:
Politics

Yesterday I wrote about the above video in the context of the role Subject-Object Metaphysics(SOM) plays in undermining intelligent discourse in our media. Between a President and a media personality who both have the same ideological assumptions and are cheering on the same things. All while they do this with little to no intellectual scrutiny and little to no championing of intellectual values.

Today I'll write about this same video and the role identity politics plays in explaining Trump's racist policies.

Because identity politics has a way of splitting people up who have so much more in common regardless of their race. When we fixate on race, gender, or other biological markers, we miss the deeper layers that truly define us. We’re not just a collection of physical traits—we’re a blend of culture, experience, and shared values. And while an amoral Subject-Object approach neatly boxes us into racial categories and acknowledges their existence, it also undermines the increased freedom found in cultural values and leaves our cultural richness in the dust. That’s why the Metaphysics of Quality (MOQ) feels like such a breath of fresh air; it appreciates the nuances of life and emphasizes the importance of culture and our freedom to be who we wish.

By reducing us to our biology, SOM based identity politics creates more conflict than connection. Instead of uniting people around common interests and shared struggles, it enables the socially powerful to pit us against one another based on superficial differences. This narrow focus not only drives wedges between folks of the same class but also pushes racial conflicts to the extreme. The more we emphasize fixed identities, the more we enable an elitist conservative narrative that uses these divisions to bolster racist policies. When our identity is defined solely by what’s immediately visible, we give license to reactionary ideas that thrive on exclusion and segregation.

For those of us who embrace the MOQ perspective though, it’s clear that true quality—whether in art, culture, or moral judgment—transcends the limited view of Subject-Object metaphysics. Culture isn’t a subset of biology; it’s beyond the rules of biology. It's the glue that holds communities together and is the combination of social and intellectual quality. As such we have far more freedom to be who wish than our biological identities reflect. When identity politics insists on reducing us to static, isolated biological categories, it strips away the layers that protect our shared values, and undermines the freedom at the heart of human experience.

After more than a decade of watching this ideology unfold, it’s become all too obvious that a conservative reaction to and interpretation of identity politics was almost inevitable. Leaders like Trump and Musk—seem to emerge from a system that only knows how to talk about folks in racial categories and undermine not just our shared culture but the freedom that we all have to be better people.

The real issue then isn’t just the fight for recognition or equality as identity politics insists—it’s the way we frame that fight. If we continue to define ourselves by narrow, rigid biological identities, we deepen the divides that uber-conservative policies exploit. What we need is a broader perspective—one that celebrates the full, multifaceted nature of who we are both as individuals and as a culture. By shifting our focus from mere biological categorization to the quality of our culture, we can foster a culture that values connection over division and depth over surface-level labels.

In the end then, identity politics, as it’s commonly practiced, does little to challenge the very power structures it claims to oppose. Instead, it often reinforces them, paving the way for policies and leaders that further entrench division. Embracing an MOQ approach means recognizing that our identities are a tapestry woven from far more than our physical attributes—they’re built from the freedom to be who we wish, the quality of our relationships, our shared stories, and the enduring values that bind us together.

In short, the MOQ takes us to a better way.

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History

Ancient Greece - what a vibrant amazing place. Think of white robes and stoic purity when thinking of Ancient Greece? Think again.

I love to remind myself that it was a colorful and vibrant place, full of new ideas, intellectual arguments and the beginning of the creation of our modern day scientific understanding.

Of course, it's not just the colors of the statues that were different than what we've thought for a long time. But indeed - the place of that intellectual explosion and what exactly happened all those years ago is widely misunderstood. It's time to revisit and re-understand exactly what happened all those years back then.

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I'll write more about this soon but for now you can read more here - The Story...

TOPICS:
Self Improvement

Look out! We have Ancient Greek Socratics walking amongst us! They roam the streets of the world and question anyone willing to chat about their beliefs.

Welcome to a growing phenomenon known as Street Epistemology. Just like Socrates, the adherents to this movement claim to only be interested in the truth! They strive to - at the very least - raise some serious doubts in their interlocutors mind whilst they have a friendly chat about what some of their beliefs are..

From a Metaphysics of Quality perspective this is on balance a good thing.

Encouraging people to think further about things they claim to believe in is only healthy and mostly an invitation to be a better person who is more intelligent. Encouraging intellectual thought like this is moral according to the Metaphysics of Quality (MOQ).

Belief from a metaphysical sense is a very slippery word and so is not supported by the MOQ. Quality isn’t something you believe in. Quality is something you experience. And unlike anyone’s belief it can be empirically supported. Folks can’t get out of bed without deciding that it's better to do so!

That said, I think that Street Epistemologists, as with all modern day intellectuals, can improve their arguments around this so they are even more persuasive in their striving for the truth.

An illuminating part of the discussion above is where the interlocutor, Madison, is clearly taken by Anthony's intellectual honesty and is curious to know what it is that drives his pursuit for truth. The answer he provides her as the 'believer' at first doesn't seem to satisfy until he provides a very curious closing sentence.

"It's about trying to make the world a little bit of a better place."

Madison looks curious as if asking for more..

"I guess my presupposition is that the more true things that we believe - the better it will be for humanity.'

To lay this out from a Metaphysics of Quality perspective - it should be clear here firstly that Quality is indeed what is driving his pursuit of the truth in that first sentence. The second sentence is even more curious however as he appears to imply that he simply believes that things are true as well. That's Truth! Based on a belief? Where's the 'solid foundation' gone?

This seems like a simple problem that should have a simple answer but within a Subject-Object Metaphysics there is no such foundation. It is indeed only a belief that truth is fundamental and sound. And just like every other statement it is open to dialectical questioning. This is not the fault of Anthony but a clear metaphysical flaw of the Subject-Object Metaphysics from which he is operating. Of course the solid foundation of truth is Quality but he can't say that. He doesn't have the Metaphysics for it. It would for sure be interesting to have conversation with him about this. A future blog post perhaps?

In fact it would be interesting to perform Street Epistemology in much the same way as Anthony does - for the most part very skillfully - but with a key difference. And that difference would be an explicit understanding of the foundation of truth and what we are all indeed stiving for and living. Quality. A Modern day Sophist.

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